Andrey Vatspan
CV —
Education:
2010 - 2021
School named after
Solovetsky cabin boys
2019-2021
LINGVA School (English courses)
2020-2021
SPbGASU
(Academic drawing course)
2021 - 2022
NARFU - bachelor in Pedagogy (German & English)
2021 CSI Studies
(Fine art course
based on the british educational program)
Education:
2010 - 2021
School named after
Solovetsky cabin boys
2019-2021
LINGVA School (English courses)
2020-2021
SPbGASU
(Academic drawing course)
2021 - 2022
NARFU - bachelor in Pedagogy (German & English)
2021 CSI Studies
(Fine art course
based on the british educational program)
Statement:
The realm of my interdisciplinary interest is within four spheres: ecology, architecture, photography, and psychology. Main questions I ask myself in creative practice are: how do architecture and landscape influence human psychology? May something which is not ecological be «beauteous»? How does local history perserveres in the visual space?
The realm of my interdisciplinary interest is within four spheres: ecology, architecture, photography, and psychology. Main questions I ask myself in creative practice are: how do architecture and landscape influence human psychology? May something which is not ecological be «beauteous»? How does local history perserveres in the visual space?
Statement:
The medium I mostly use is photography. Observation is most important in my creative research. Photography gives me a way to trace all logical details of the process without sharing full and certain answer with the spectator letting them feel. My eco-activist background is a foundation for a research. Topics interwining in my creative practice are: restoration and reconstruction, recovery of the lost, history and roots, local culture displaying in the modern world.
The medium I mostly use is photography. Observation is most important in my creative research. Photography gives me a way to trace all logical details of the process without sharing full and certain answer with the spectator letting them feel. My eco-activist background is a foundation for a research. Topics interwining in my creative practice are: restoration and reconstruction, recovery of the lost, history and roots, local culture displaying in the modern world.
Shop
Statement:
So, connecting all the flaws of the space (architecture) and time (psychology) around me I create subtle connections through photography using eco optic to process collected information.
So, connecting all the flaws of the space (architecture) and time (psychology) around me I create subtle connections through photography using eco optic to process collected information.
CV —
Work:
2020 - until now: horizontal community "Pesochnitsa"
Volunteer, Vice-Coordinator
2021 - until now: Recycle-based vintage shop "Circularium"
Co-founder, photographer, restorer, set-designer
2018 - until now: Freelance photographer
Work:
2020 - until now: horizontal community "Pesochnitsa"
Volunteer, Vice-Coordinator
2021 - until now: Recycle-based vintage shop "Circularium"
Co-founder, photographer, restorer, set-designer
2018 - until now: Freelance photographer
CV —
Skills:
Photography, watercolor, graphics, set-design, RU-ENG/ENG-RU translation, eco-education
Exhibitions:
18.12.2021 - 20.01.2022
Group exhibition
The Museum of Artistic Exploration of Arctic
July 2021
Group site-specific exhibition in Kenozersky National Park (during Climate school)
Skills:
Photography, watercolor, graphics, set-design, RU-ENG/ENG-RU translation, eco-education
Exhibitions:
18.12.2021 - 20.01.2022
Group exhibition
The Museum of Artistic Exploration of Arctic
July 2021
Group site-specific exhibition in Kenozersky National Park (during Climate school)
Statement:
Stuff hidden from our everyday view but not from our general perception is the main object of my work. One may say that the focus of my creative practice is conception of places/non-places and objects/non-objects. All of it form my personal approach to site-specific practices.
Unique optic of my work is color-blindness which helps me to mark those unobvious finds and see the space through a bit different lense.
Stuff hidden from our everyday view but not from our general perception is the main object of my work. One may say that the focus of my creative practice is conception of places/non-places and objects/non-objects. All of it form my personal approach to site-specific practices.
Unique optic of my work is color-blindness which helps me to mark those unobvious finds and see the space through a bit different lense.
